By the year 1996, the unique underwater world of the seas surrounding

Arabia will be preserved forever – on film. The Arabian Seas Expedition

(ASE) has set sail to produce a series of thirteen documentary

films highlighting the untamed beauty of a priceless part of the

region’s natural heritage. The ambitious plan is to film marine

life in eight Middle Eastern countries, including Oman, Saudi

Arabia, the United Arab Emirates, Kuwait, Bahrain, Iran, Jordan

and Yemen.


Think Blue

The aftermath of the Gulf War in 1991 attracted conservation organizations

to the Middle East, like bees to the honey pot. The buzz at the

time was that this was the world’s worst ecological disaster.

It may well have been, but many marine and coastal habitats have

recovered remarkably well (see Vol.1, No.1). There can be no doubt

however, that since the war, conservation objectives in the Gulf

have been given a higher priority. Jonathan Ali Khan, Production

Manager of ASE, intends to make this last and to add an Arabian

voice of concern to the global environmental “green” movement.

The message this time, however, is “Think Blue”. ASE, primarily

through its film productions, is asking Arabia to turn its attention

to the marine environment.

Into The Deep Blue

Funded entirely through sponsorship and endorsed by the Regional

Organization for the Protection of the Marine Environment (ROPME),

the ASE team of international and Arab film crew, scientists and

divers began work in the Sultanate of Oman in May 1993. As with

most projects of this kind, initial lack of financial commitment

from potential sponsors meant starting in the deep end. However,

with a seemingly unlimited variety of marine life from which to

choose, Oman’s natural resources have made life at least a little

easier. Filming in Oman aims to celebrate the abundance and beauty

of the marine environment whilst focusing on important conservation

issues and needs affecting characteristic features of Oman’s seas

and coast.

Contractual agreements with international satellite networks such

as Star TV, and free-of-charge regional distribution of all film

material, will ensure that over 45 million viewers will enjoy

a visual exploration through aquamarine seas studded with the

vibrant colours of coral reefs. From breaching whales and dolphins

that dance, to nesting turtles and tangled thickets of mangrove

forest, within each film lies a complex interwoven theme of marine

science, cultural tradition, modernisation and conservation. ASE,

however, is more than just filming, more than the exploration

of some of the most remote corners of the world.

Deeper Meaning

Active involvement of private sector businesses, local and international,

through sponsorship opportunities, slowly but surely draws the

environmental issues in question into the path of everyday economic

life, in a sense privatising the marine environment. With a monetary

value attached and public opinion at stake, protection of the

environment quickly becomes a higher priority. With considerable

promotional opportunities, sponsors are encouraged to actively

participate in ASE’s activities and receive full benefits from

the project.

Government involvement within ASE is at a ministerial level. In

Oman, direct financial support and continued participation from

the Directorate General of Tourism (Ministry of Commerce and Industry)

is an indication of the forward looking approach adopted by officials

under a new Under-secretary in this Directorate, intent on promoting

a healthy, but well balanced and controlled industry. For example,

ASE are assisting with the development of “ecotourism”; elite

groups of tourists enjoying Oman’s natural wonders, such as underwater

safaris, bird, turtle and whale watching trips, even mountain

hikes and desert camel rides. Some of this may seem a long way

from the sea for a project like ASE, but suitably illustrates

its deeper objectives.

On occasion, Ministry officials are drawn into action as the ASE

team capture dramatic scenes on film, that could provoke unwanted

international concern. A recent example is an hour of raw footage

covering the plight of the endangered green turtle in its quest

for survival. In this case, an exclusive video report addressing

sensitive political conservation issues was presented by ASE to

the Ministry of Regional Municipalities and Environment (MRME)

with advice on remedial action. Considered of particular importance

by the project is the establishment of protected areas – ecological

sanctuaries, both marine and coastal, with limited, carefully

controlled human use.

The First Film

Creating public awareness remains ASE’s first and foremost role.

Constant media attention throughout the world is beginning to

show results. The local people however, are the prime target.

Oman’s reputation as a country brimming with environmental concern,

was the single most important deciding factor in commencing the

project here. AKA Video, an Omani company, harbours ASE’s office

and editing studio, while accommodation for the team is situated

in the traditional fishing village of Qantab. However, the reaction

locally has mostly been discouraging. The reason, perhaps, stems

from a misconception of the meaning and potential of conservation.

The popular labelling of conservationists as preservationists,

is one myth that ASE is attempting to dispel. Conservation is

being impressed upon the people as a modern concept, encompassing

ancient traditions and the well-being of future generations, based

on the sustainable use of natural resources and the avoidance

of any unnecessary use. In some parts of central and southern

Oman, this very concept can be seen in action. Areas of coral

reef, put aside and jealously guarded by local fishermen for times

of hardship, is one example which ASE will be highlighting on

film. For its first film, however, ASE has centred its efforts

in northern Oman.

Encased in custom fitted underwater camera housings, Panasonic

M2 cameras are now well known to a considerable range of unusual

forms of marine life in the Gulf of Oman. The cameras, complete

with 600 watts of lighting, must have been viewed as such themselves

at the start of filming, as even regular divers here are not so

regular. This has the obvious advantage, however, of attracting

the curiosity of most potential subjects. Some, however, such

as cetaceans and turtles, have proved less trusting , perhaps

as a result of past experience with human contact. The traditional

practices of fishermen, particularly in relation to shark fishing,

have provided a vehicle to convey the message behind ASE, whilst

film sequences showing the importance of the region to unique

and endangered marine fauna, like the green turtle, acknowledge

the wealth of Arabia’s natural heritage to an international audience.

With the first film showing will come a greater involvement of

local people and a more local taste to future films.

Future Films

Underwater filming requires luck, patience and the ability to

expect the unexpected. Filming under sponsorship requires all

of this and the will to change location at the whim of others.

Promise of support in the United Arab Emirates seems likely to

direct the ASE team to the Arabian Gulf in the near future. Before

that, however, the majestic Musandam, a rocky peninsular of Fjord-like

bays and inlets separated by steep mountainous headlands jutting

out into the Straits of Hormuz, will host the next film.

Filming in Musandam will initially continue the theme of traditional

fisheries activity, covering the day-to-day existence of a typical

fishing family from the port of Khasab. Camera crew will accompany

fishermen in traditional vessels from dawn to dusk, capturing

the means, methods and moods of an ancient and intriguing way

of life. As in all locations, filming in Musandam will also attempt

to highlight the findings of research carried out by government

institutions, independent consultants, universities and international

organizations, such as IUCN (the World Conservation Union) and

the United Nations. Close ties with scientific researchers currently

in Oman also allows ASE to contribute data to on-going research.

A Final Message

With the help of sponsors such as Panasonic, Omega, Gulf Air,

DHL, Evinrude, Bunns, AKA Video, Jotun and the Oman Arab Bank,

the Arabian Seas Expedition is creating an awareness to help safeguard

the seas of Arabia. Such international appeal bears testament

to a region of unique natural wealth. It is a wealth that, if

used wisely, will benefit future generations as it is the present.

Evidence to date demonstrates the need for further action. ASE’s

simple message is aimed at you -Think Environment, Think Blue.